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Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence de Ng Aimee

Descripción - Críticas 'A sumptuously illustrated, 496-page catalogue chock full of the erudition that Frick projects are known for'--Lee Rosenbaum, CultureGrrl Reseña del editor Renaissance sculptor Bertoldo di Giovanni (ca. 1440-1491) was a student of Donatello, a teacher of Michelangelo, and a favourite of Lorenzo de' Medici 'il Magnifico,' his principal patron. Bertoldo was one of the first sculptors to create statuettes in bronze. With an overview of the artist's entire oeuvre--including The Frick Collection's Shield Bearer, the only Bertoldo sculpture outside of Europe--this major scholarly catalogue is the most substantial text on Bertoldo ever produced. Featured are contributions from renowned international scholars who bring into focus the sculptor's unique position at the heart of the artistic and political landscape in fifteenth-century Italy. Biografía del autor Essays by Peter Jonathan Bell, Lorenz Boeninger, Francesco Caglioti, Stefano Casciu, Ilaria Ciseri, Maria Grazia Cordua, Julia Day, Caroline Elam, Scott Nethersole, Alexander J. Noelle, Aimee Ng, Neville Rowley, Xavier F. Salomon, and Peter Stiberc Entries by Aimee Ng, Alexander J. Noelle, Xavier F. Salomon Conversation with James David Draper

Detalles del Libro

  • Name: Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence
  • Autor: Ng Aimee
  • Categoria: Libros,Arte, cine y fotografía,Historia, teoría y crítica
  • Tamaño del archivo: 11 MB
  • Tipos de archivo: PDF Document
  • Descargada: 456 times
  • Idioma: Español
  • Archivos de estado: AVAILABLE


Descargar Ebook Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence de Ng Aimee PDF [ePub Mobi] Gratis

Bertoldo di Giovanni: The Renaissance of Sculpture in ~ The catalogue that accompanies “Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence” is the most substantial publication ever produced on the artist. Bertoldo di Giovanni, “Hercules on Horseback” (detail), ca. 1470–75, bronze, H 10 3/4 in.

Bertoldo di Giovanni: The Renaissance of Sculpture in ~ This fall, The Frick Collection presents the first exhibition devoted to the Renaissance sculptor Bertoldo di Giovanni (ca. 1440–1491). It shines a long-overdue light on the ingenuity and prominence of the Florentine artist, who was a student of Donatello, a teacher of Michelangelo, a favorite of Lorenzo de’ Medici, and an active collaborator with many other artists.

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Bertoldo Di Giovanni: The Renaissance Of Sculpture In ~ Bertoldo Di Giovanni: The Renaissance Of Sculpture In Medici Florence: The Renai è un libro di Ng Aimee, Noelle Alexander J., Salomon Xavier edito da D Giles Ltd a settembre 2019 - EAN 9781911282433: puoi acquistarlo sul sito HOEPLI, la grande libreria online.

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Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence ~ Alexander Noelle, Anne L. Poulet Curatorial Fellow, provides an introduction to the exhibition 'Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence' on view at The Frick .

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Italian Renaissance Learning Resources - The National ~ Piero (di Cosimo) [the Gouty] de’ Medici, Lord of Florence (b Florence, 1416; reg 1464–9; d Florence, 3 Dec 1469). Son of Cosimo de’ Medici. Raised in early humanist Florence, he was trained to assume his father’s civic and cultural leadership.

Publiarq - Publicaciones y libros sobre arquitectura y ~ Renaissance sculptor Bertoldo di Giovanni (ca. 1440-1491) was a student of Donatello, a teacher of Michelangelo, and a favourite of Lorenzo de Medici 'il Magnifico', his principal patron. Bertoldo was .

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Lorenzo de' Medici ~ Lorenzo de’ Medici was a key figure in creating “The Renaissance.” A patron of the arts in fifteenth-century Florence, he dedicated himself even more to collecting objects from the past, documented in 173 unknown letters published here for the first time.

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Música, arte y cultura: octubre 2019 ~ Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence brings into focus the sculptor’s unique position at the heart of the artistic and political landscape in fifteenth-century Italy.

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